Publication

This paper analyzes how cultural production is used as an interactive forum for political debates in North Africa. The author argues that art has played an important role as a space for free expression, both before and after the revolutions, and as a way of documenting and keeping traces of the events. But the author stresses that we need to look at North African’s cultural productions in a wider context of globalization and social transition rather than trying to categorize them as political or revolutionary artists.